However the thing which kills an interface off completely is a lack of support. Firstly potentiometers are fragile! I’m so glad that premium interfaces have volume controllers rather than pots which pass audio.įunctionality is important, UA’s Console application is a very capable piece of software, but I’ve always found it less intuitive than others I’ve tried. Taking these examples as a very unscientific sample, a few things jump out at me. I don’t really ‘need’ it anymore as I have a Carbon and an MBOX Studio but it’s so useful I’m reluctant to part with it As we’re talking about interfaces, here’s a potted history of some of my significant interfaces:įocusrite Red4 Pre - my ‘daily driver’. The few purchases I’ve made in haste, before having both a clear idea of what I want and the funds to buy something I can’t see myself outgrowing in a few years, I have regretted and lost money on. I try to buy gear which will serve me for the foreseeable future. Things which, if they are right, make it more likely that your interface will give you years of good service.įirstly I’ll reference my personal approach to buying gear: Buy well and buy once.

In this article we look at the things which really matter when it comes to interface features. While rationalising your equipment and starting again can often be a sensible move, being forced into it because of a deal breaking shortcoming in your current interface wastes both time, money and resources.

If you’re buying an interface, assuming it isn’t your first interface, why are you getting a new one? Is there something wrong with the old one which has forced a change? Unless its broken, your needs must have changed in a way which your old interface can’t accommodate. If you buy with an eye to the future you might find you can get significantly longer service out of your interface. It’s often a lack of a particular feature which compels us to move on from our current interface.

Focusrite control for mac